Matt was enthused about my first novel and did his best to get it covered in the Times, however the editor at the time took a pass to Matt’s pitch. I always appreciated the effort.
Now that Matt has published his own first novel it’s my turn to return the favor, giving Matt a little electronic ink here on JOEyGADGET.
JG: Rather than raised by wolves as I was, you were raised by readers. Have you always been a reader of fiction yourself, or more a non-fiction man, on account of your career as a journalist?
MR: Fiction Man (sounds like an ad for a cologne, or the name of a superhero who confuses people into submission by reading to them from James Joyce). I love getting swept up and lifted away by great fiction. Non-fiction, when I connect to it, is a great experience too. That usually entails very accessible writing and a compelling narrative. Also, I have to have enough brain space to permit engagement. But those are high hurdles in my book, and I don’t get over them as often in non-fiction.
JG: Were any particular novelists influential as far as style or voice
or in any other way?
MR (a.k.a. The “Fiction Man” cologne man): At this point, I don’t think I draw from others’ voices or styles but there are things I hope to accomplish - that I’ve particularly appreciated in other books:
- stories based on emotion and character
- fast, compelling reads
- a satisfying, even surprise, ending
- that sheds light on the rest of the book and even makes you see the book differently
These are basic tenets I hold to. I’ve loved a lot of books that I’m sure have influenced me in some way:
As a kid, I read Robert Ludlum and imagined myself a spy. And tried to read non-fiction history, and imagined myself as serious and scholarly as my father. I once was influenced by Douglas Adams and Rick Reilly (from Sports Illustrated) but have long since seen the limitations of my sense of humor and the fact they can’t be mimicked. Favorite fiction works over the years that have stuck with me include Confederacy of Dunces, Lolita, Catch 22, The Magus (John Fowles), Catcher in the Rye, various things by Kurt Vonnegut, and a ton of other books I can’t seem to recall at the moment…
Non-fiction: In Cold Blood, Into Thin Air, The Executioner’s Song (transcendent), and some anthropology, The Third Chimpanzee and The Selfish Gene. My tastes lately are varied and voracious In the last year or so, I’ve particularly enjoyed: Cormac McCarthy (the road, no country for old men, blood meridian), David Mitchell (Cloud Atlas); Jonathan Lethem (motherless brooklyn, guns with occasional music); Jonathan Safran Foer (everthing is illuminated, exremely loud and incredibly close); Jeannette Walls (The Glass Castle - GREAT non-fiction), Walter Mosely (the only writer whose books I collect; otherwise, our house is a library where you don’t have to return what you check out). Recent thriller/mystery reads: Lee Child, David Liss, Dennis Lehane, T. Jefferson Parker.
JG: Phew, that’s quite a list. Let’s take a breather from fiction for a moment and change the subject to tech. You’re a tech-savvy guy, so what do you think of the iPhone?
MR: Neat. Cool. Futuristic. Wouldn’t spend the $600.
JG: You know Madonna was pissed when Kevin Costner said her concert was “neat” in her film Truth or Dare. I wonder if Steve Jobs is touchy that way too. Anyway, speaking of movies, any chance we’ll see a movie adaptation of Hooked?
MR (a.k.a. Kevin Costner impersonator): Always a chance, but so far no one have stepped up to buy the movie rights and the chance to make zillions of dollars on what clearly is a zillion-dollar project just waiting to be made (perhaps we should upgrade our “make a zillion dollars” marketing pitch.
J.G. Your editor is the esteemed Jonathan Karp, who is also publisher of Twelve - an innovative press that which aims to fully focus all energies on one book per month. You were June’s pinup boy. Did the Twelve come through as promised?
MR: Karp. The Twelve. It was like having a Porsche for my first car. First class all the way. Attentive editing, a strong publicity and marketing effort, easy back-and-forth with Karp. I’d recommend it for anyone. From that perspective, I feel blessed by my association with the Twelve. The book has had a solid commercial run but has not been a national bestseller. Does that mean that things could have been done better? I tell you in all candor that I have no idea. I would imagine, given Karp’s track record, that he second guesses himself at times. I do not know for a fact. I think the reality is that it is not possible to will or create a bestseller, particularly something perceived as mystery/thriller genre. If that sounds passive/aggressive, I don’t mean it to. I have been incredibly fortunate.
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